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Play Time: 2:10 - 3:20
Unique Accidentals: > 4
Unique Chords: > 10
Unique Notes: 11 - 15
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Jamie Holdham
Schubert - Symphony No.8. {Professional production full score.} Unfinished.
Jamie Holdham
2:14 Est. Play
Time
117 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso. Bass 14 0 1 4 96%
Violoncello. Bass 14 0 1 7 93%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso. Bass 14 0 1 4 96%
Violoncello. Bass 14 0 1 7 93%
Clarinetti
in
A.		 Treble 14 11 5 5 80%
Viola. 12 4 3 2 76%
Violino
I.		 Treble 18 5 5 6 65%
Violino
II.		 Treble 16 4 4 6 65%
Oboi. Treble 12 2 4 5 64%
Corni
in
D.		 Treble 7 4 0 5 59%
Fagotti. Bass 11 10 2 5 46%
Flauti. Treble 9 1 0 5 34%
Trombone Bass 3 0 0 3 11%
4 2 1 3 9%
Timpani
in
H.Fis.		 Bass 2 0 1 2 11%
Trombe
in
E.		 Treble 4 3 0 2 11%
 
Richard Wagner - ENDE.zu.PARSIFAL in Full score.
Jamie Holdham
3:16 Est. Play
Time
59 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
I. Viol. Treble 19 6 4 8 100%
II. Treble 20 5 7 11 100%
View all 25 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
I. Viol. Treble 19 6 4 8 100%
II. Treble 20 5 7 11 100%
Br. (get) 22 6 8 11 91%
Violas 21 6 7 11 91%
Vcl. Bass 18 4 4 12 77%
III.
IV.		 Treble 12 12 5 7 59%
K.B. Bass 10 0 1 7 55%
I. Treble 11 0 2 6 41%
Treble 12 0 2 7 50%
I. Klar. in
B.		 Treble 10 0 0 7 45%
III. Treble 6 0 1 6 27%
Treble 10 0 1 7 41%
Bass 2 0 1 2 14%
Bass 10 0 1 7 36%
Fl.
II.		 Treble 9 0 1 7 41%
I.II. Pos. 13 14 0 7 36%
I.II. Fag. 7 2 3 5 32%
II.
III.		 Treble 8 0 5 5 32%
I.
II. Horn in
F.		 Treble 9 12 3 6 27%
II.III. Treble 9 9 2 6 27%
Althob. Treble 7 0 1 6 27%
Hob.
II.		 Treble 6 0 0 6 27%
Bab-Tb. Bass 2 0 0 4 23%
I. Trp. in
F.		 Treble 4 3 0 1 9%
Pk. Bass 1 0 0 1 9%
 
Wagner - Gotterdammerung Vorspiel to Akt 1. {Professional production full score.}
Jamie Holdham
2:15 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
12
VIOLONCELLE.		 Bass 24 0 10 4 70%
1
CONTRABASS- TUBA.
(C.)		 Bass 6 0 1 3 67%
View all 27 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
12
VIOLONCELLE.		 Bass 24 0 10 4 70%
1
CONTRABASS- TUBA.
(C.)		 Bass 6 0 1 3 67%
2.u.3.
(B.)		 Treble 18 21 7 5 66%
12
BRATSCHEN.		 17 0 4 5 57%
1. 3
gr.FLOTEN.		 Treble 9 1 3 5 56%
2
Tenor.
(B) 4
TUBEN.		 Treble 7 2 3 4 53%
2.u.3. Treble 12 10 4 5 48%
Treble 8 6 1 5 52%
Bass 6 0 2 4 33%
1.
(B.) 3
CLARINETTEN.		 Treble 17 0 5 3 52%
1
BASS- CLARINETTE.
(B)		 Bass 13 0 5 4 52%
3.u.4. Treble 15 14 8 5 52%
2
Bass.
(F.)		 Bass 5 4 1 4 50%
3. Bass 15 1 4 5 50%
1.u.2. 4
HORNER.		 Treble 15 12 8 5 48%
ENGLISCHES
HORN.		 Treble 5 0 2 5 48%
Violins Treble 24 0 9 5 48%
1. 3
TENOR-BASS- POSAUNEN.		 7 4 1 4 47%
16
erste 32
VIOLINEN. 16
zweite		 Treble 22 0 10 4 44%
1.u.2. 3
FAGOTTE.		 5 2 2 4 44%
1
BASS-TROMPETE. (Es.)		 Treble 13 0 5 5 44%
1. 3
HOBOEN.		 Treble 4 0 0 4 41%
1
CONTRABASS- POSAUNE.
(C)		 Bass 4 0 0 4 33%
8
CONTRABASSE.		 Bass 5 0 0 4 26%
1.
(Es.) 3
TROMPETTEN.		 Treble 3 0 3 4 22%
2.u.3.
(Es.)		 Treble 4 2 3 3 15%
Pauken. Bass 2 0 1 1 7%
 
Gotterdammerung Vorspiel to Akt 1. {Professional production full score.}
Jamie Holdham
2:20 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
12
VIOLONCELLE.		 Bass 24 0 10 5 70%
1
CONTRABASS- TUBA.
(C.)		 Bass 6 0 1 3 67%
View all 27 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
12
VIOLONCELLE.		 Bass 24 0 10 5 70%
1
CONTRABASS- TUBA.
(C.)		 Bass 6 0 1 3 67%
2.u.3.
(B.)		 Treble 18 21 7 5 66%
12
BRATSCHEN.		 17 0 4 5 57%
1. 3
gr.FLOTEN.		 Treble 9 1 3 5 56%
2
Tenor.
(B) 4
TUBEN.		 Treble 7 2 3 4 53%
2.u.3. Treble 12 10 4 5 48%
Treble 8 6 1 5 52%
Bass 6 0 2 4 33%
1.
(B.) 3
CLARINETTEN.		 Treble 17 0 5 3 52%
1
BASS- CLARINETTE.
(B)		 Bass 13 0 5 4 52%
3.u.4. Treble 15 14 8 5 52%
2
Bass.
(F.)		 Bass 5 4 1 4 50%
3. Bass 15 1 4 5 50%
1.u.2. 4
HORNER.		 Treble 15 12 8 5 48%
ENGLISCHES
HORN.		 Treble 5 0 2 5 48%
Violins Treble 24 0 9 5 48%
1. 3
TENOR-BASS- POSAUNEN.		 7 4 1 4 47%
16
erste 32
VIOLINEN. 16
zweite		 Treble 22 0 10 4 44%
1.u.2. 3
FAGOTTE.		 5 2 2 4 44%
1
BASS-TROMPETE. (Es.)		 Treble 13 0 5 4 44%
1. 3
HOBOEN.		 Treble 4 0 0 4 41%
1
CONTRABASS- POSAUNE.
(C)		 Bass 4 0 0 4 33%
8
CONTRABASSE.		 Bass 5 0 0 4 26%
1.
(Es.) 3
TROMPETTEN.		 Treble 3 0 3 4 22%
2.u.3.
(Es.)		 Treble 4 2 3 3 15%
Pauken. Bass 2 0 1 1 7%